Immortal Technique and the Alt-Right

Immortal Technique and the Alt-Right

“There’s no diversity because we’re burning in the melting pot.” – Immortal Technique

In elementary school, I watched a Schoolhouse Rock! skit about America as the world’s “melting pot.” The sight of smiling brown and beige bodies diving into an overflowing cesspool smacked me with disgust. The  cartoonish ethnosuicide has remained ugly ever since.

Peruvian-American rapper, Felipe Andres Coronel (a.k.a. ImmortalTechnique), writes rap lyrics glorifying Marxism and “social justice.” Ironically in his most popular [explicit] track “Dance with the Devil,” he disdains Zionist  Israel Zangwill’s idea of the melting pot.

Immortal Technique recognizes the power of his raza and its foremost enemy:  degeneracy—in his case, drugs, gang activity, and generational poverty. Similarly, we Whites face degeneracy but in a rather insidious context: vapid modern art, degenerate social trends, and teachers poisoning our kids with self-hate. Faced with its apparent flaws, Immortal Technique’s community can name with ease its bullies, uncle toms, and sellouts. We Whites are not so lucky.

We are cowed. Unlike other groups, most Whites shirk all responsibility to their race and children’s future; sheepdogs of the status quo threaten them with defamation, career loss, and legal consequences for expressing racial pride and love. I have met so many White millennials who appear receptive to the Alt-Right but cringe at the suggestion of White pride and change the topic out of fear of the sheepdogs.

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The “melting pot” from Schoolhouse Rock!

But what have we to fear for simply discussing ideas? We are not the only ones targeted by the sheepdogs of the melting-pot dystopia.  Mestizos like Immortal Technique also suffer the effects of the melting-pot ideal pushed in our media, schools, and government (see HUD and its forced diversity initiative). Immortal Technique loses his neighborhood through gentrification, as we lose our neighborhoods through “fair housing priorities” and blockbusting.

Everyone loses in the melting pot. Everyone’s scalded flesh bubbles and fries to a crisp, a singularly brown crisp out of which all heritage dies. All peoples will face sure demise, unless the Overton Window shifts and accepts alternatives to forced multiculturalism.

In shifting that window, Walt Bismarck, the creator of edgy Disney parodies, has printed Alt-Right Donald Trump supporters on card decks. If you contribute $15 or more to Walt’s Kickstarter, you will receive decks emblazoned with Gavin McInnes, Richard Spencer, Milo Yiannopoulos, Tila Tequila and many more fashy faces—Immortal Technique not included. (Watch Walt’s latest music video at the bottom of the page.)

With the Overton Window shifting right, we will reclaim our communities. Succeed and our heritage shall live on; fail and we, along with all the other races, will be relegated to the history books never to walk the earth again. Now is the time to spread our message, support our brothers and sisters, and ensure that we win and reclaim our world.

 

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