To the initiated the following statements will sound extremely basic. But than again basic talking points are all average people can wrap their heads around.
We will become the third world. We give out more Visas every year than there are job openings. The media then tells these people that the traditional American population is a bunch of “evil” racist rednecks for opposing their own replacement. Americans as defined by the 1965 demographics, are being replaced by people who will not have the same sense of unity, honesty or fair play. And Im not speaking about the lower class immigrant groups like Mexicans, and other mixed race Latin Americans but the rich ethnocentric Tamil Indians, East Asians and Arabs who see White America as a bunch of useful idiots who will give them whatever they want no matter how much it destroys any future for their own families in terms of college admission, job creation or resources.
Of course the second traditional America raises any sort of opposition to their own replacement they are shut up by accusations of racism. There are plenty of rich ethnic groups who come here set up a bussiness and are allowed to hire only their own people or given preference in hiring by existing corporations. If a so called “White” American was to do the same they would be run out of bussiness finned or thrown in jail. The hypocrisy must end. I would not be allowed to move to their countries and take over so why should they be allowed to do it in my homeland?
So perhaps the best way to get cucked Civic minded White Americans to change their views is to point out a double standard. The current Trump administration should be coaxed to move toward an immigration policy based on equilibrium. Since an overtly racial preservationist or even Nationalist one will not be successful due to the evolved pathological altruism among Whites. If a country does not allow Americans to travel or emigrate there, than the United States should not allow citizens of such a country to come here for travel or immigration.
A strictly tit for tat strategy might be one way if not the only way to bring upper middle class cucks to oppose their own destruction.
Ritter and Law interview Aeroman, a recently graduated art student. Â Topics include art-school degeneracy, performance art, and the potential for artistic regeneration. Aeroman, aka Aero, also talks about using art in the war of ideas.
The Russians have first hand experience with feminist and multiculturalist lunacy. In the early decades of the USSR, the Bolshevik government concoctedÂ an artistic style called “Socialist Realism.” And no, they weren’t trying to be ironic. “Socialist Realism” depicted things the way Stalin and his fuck-puppets in the politburo thought theyÂ should be. This resulted in all sorts of absurdities, absurdities that you know well, because they have resurfaces asÂ some of the commonest tropes in current entertainment.
If there is one rule in art, it is that you cannot regularly violate the principles of psychological normality.Â In certain genres, you are free to mess with the laws of nature –animals can talk, it can rain jelly-beans, creatures that are half-man, half horseÂ can frolic in meadowsÂ of candy canes and corndogs, whatever. ButÂ even then,Â the characters must generally behave according to known psychological principles (the occasional wack-jobÂ notwithstanding). No one could tolerate a novelÂ where all the male characters were happy to let some dipshit boff all the women, asking for nothing in return but 18-hour days toiling in the uranium mines. It’s too great a stretch of the imagination. People just don’t act that way.
One of the most blatantly absurd tropes is the bad-ass girl who beats up or kills dozens of men. You’ll find her in bothÂ Socialist Realism and current US entertainment. Â This trope (goddamnit, I sound like Anita Sarkeesian)Â has madeÂ cop-dramas and Hollywood action flicks not just predictable, but unwatchable. Â Now, you might object that the bad-ass girl isÂ only an abuse of physical reality, not psychological normalcy. But you’d be wrong. Of course a girl can hold down the trigger and mow down dozens of studs. What is so irksome about the bad-ass girl is that she is a psychological abnormality. When it comes to fighting quality, the typical woman does notÂ compare to the average man. Even Homo Americanus, betweenÂ marathon red-tube sessions and IPA hangovers,Â wouldn’t lose a fight to a girl 999 times out of 1,000.
So of course Socialist Realism got off to chicks racking up rediculous K2D ratios. InÂ Chapaev (1934), bad-ass babe Anka mows down rows of Tsarist soldiers (the sexy dudes in the screen-shot below,Â note that the officer looks like he’s chomping on a stogie, but it’s probably a whistle). But even before Anka goes all Audey Murphey, a bunch of her male comrades loose their nerve and flee, only to be rallied by their commissar.
But Chapaev is pretty mild compared to other Soviet films. Even thoughÂ Anka holdsÂ off the reactionary hordes, she runs out of ammo (seems to be a Russian thing) and gets saved by the male protagonist, Chapaev.
If you want the full monty, you have to watch Tsirk (1936). Â Tsirk “Circus” hits all the commies’ favorite talking points–feminism, miscegenation, multiculturalism–and rams them down your throat. It’s the story of Marion, an American actress who gets run out of the US for having aÂ child with aÂ black man. The scene of her expulsion is especiallyÂ piquant. A mob of rasiss Americans chases her out of town, shouting “lynch her” and “nigger lover.”Â So naturallyÂ she seeks refuge in the freedom-loving Soviet Union, where she joins the circus, irony not intended. She gets into a one-sided relationship with a beta-boy German showman, but she only has eyes for her Slavic-superman fellow performer Ivan. Ivan is happy to oblige. He must have gotten bored with nice, sane Russian girls.
The movie climaxes in aÂ multicultural lovefest. Marion’sÂ GermanÂ beta-boy ex exposes her for the miscegenetrix she is. The circus crowd is nonplussed at the revelation, and passes the adorableÂ mulatto around to prevent the German from getting a hold of him. He retreats in shame, and the audience passes the boy around some more, singing a lullaby, with solos by representatives of the USSR’s various minority groups. Â They wrap it up with some parading on red-square, featuring Marion side-by-side with her alpha-cuck boyfriend.
Then there’s Gladkov’sÂ Cement,Â almost a book version ofÂ Tsirk.Â The hero, Gleb Chumalov (more like Chumalot), returns from three years of fighting capitalists and monarchists only to find his wife is a cold,Â Communist new-woman.Â AndÂ she’s been shacking up with another man. To top it off, everyone blames him for her infidelity because he was away at war. A woman tells him, “You left Dasha to torture and death and now you cannot expect to get a hold of her.” I bet a lot of our Iraq and Afghanistan veterans can relate.Â I’m sure plenty more lunacy happens inÂ Cement, but I wouldn’t know, because I can never get through more than a page before I give up.
These are just three examples of Soviet lunacy. The message-films like Tsirk are largely forgotten. RussianÂ literature from the 1920s and 30s is virtually unreadable today. It has largely disappeared from Russian memory. Russians know the 19th century classics, they often know Pushkin poems by heart. But Socialist Realist works, despite decades in the official curriculum, are rightly neglected. Tolstoy and Dostoevsky are timeless, Gladkov is absurd.
Throughout history, feminism and miscegenation have appeared from time to time, but are invariably subsumed. That should give us hope. We’ve tried this before, and it failed.
In Israeli City of Haifa, a Liberal Palestinian Culture Blossoms
By DIAA HADID
“HAIFA, Israel â€” At Elika, a bar in the Hadar neighborhood of this hilly port city, a 30-something psychodramatist rolled a cigarette and sipped coffee with her father, a well-known actor in Israel. The bartender poured tall beers for two women who wandered in for an afternoon pint. Nearby, a 22-year-old woman with a partly shaved head and colorful tattoos sat alone, working on her laptop.
They were among the many coifed, pierced and tattooed women and men who populate a slice of Haifaâ€™s social scene that resembles that of the well-heeled hipsters of Tel Aviv. But here the cool kids are Palestinians, and they have unfurled a self-consciously Arab milieu that is secular, feminist and gay-friendly.”
Translation: ArabÂ freaksÂ will collaborate with Israel for a hit of hookah and a hand-job from a suitably effeminate dude. For all they care, their relatives in the West Bank and Lebanon can keep fucking goats in between IDFÂ raids andÂ artillery barrages.
â€œHaifa is a center for Arabs, like Tel Aviv is a center for Jews,â€ said Asil Abu Wardeh, the Elika patron who practices a performance-based form of psychotherapy. â€œThere is a cultural movement. There is a youth movement. Thereâ€™s a kind of freedom here.â€
We have our own parties. Our own places. Our own discos. We dance. We drink. We do it all in Arabic,â€ she added. â€œThis all began in Haifa.”
Sounds like Apartheid. Quick, remind everyone that BDS is antisemitic. Even when Arabs share the left-wing Israeli proclivity for cigs and butt-sex they want to keep to themselves. I imagine the Sodomites weren’t welcome in Gomorrah either.
Haifaâ€™s relative liberalism is a product of its unique, cosmopolitan tradition.
God read a fucking book. Cosmopolitanism is not unique.Â This is the sort of prittle-prattle you’d expect from a grad-student in gender-studies. I guess JYT writers aren’t expected to have any background in history, philosophy, literature, science or art. If they were, they would avoid making statements this idiotic.
AI Podcast 2: What is the average man of the West to do? Greg and Vince discuss Spengler’s civilizational model, and how it might explainÂ our current malaise. Plus: who is the Alternative Right? How does it differ from the liberal-conservative mainstream? Finally, some thoughts on the Alt-Right’s religious divide between Christians and Neo-Pagans.
From Russia, with love:
This video went viral about a year ago and its easy to see why. The message is refreshingly novel- and the channel continues to create great videos that we will undoubtedly feature here on AI.
If it is propaganda, then it is a new kind of propaganda. One that appeals to a different set of emotional cues.
Hereâ€™s the original opener. Pay attention: â€œYes I am an occupant. And I am tired of apologizing for it. I am an occupant by birthright, an aggressor and a bloodthirsty monster. Be afraid.â€
Its a powerful template. And one that we can use. Just replace â€œoccupantâ€ with the most derided, ridiculed and marginalized identity group in contemporary Western civilization.
Down with apologia. Enough simpering and hand-cringing. Repeat after me. â€œYes, I am straight, white male. And I am tired of apologizing for it. I am a straight, white male by birthright, an aggressor and a bloodthirsty monster. Be afraid.â€
If civilizations could be ranked on their alpha and beta qualities, Russia would take the gold medal this year, and as far as Iâ€™m concerned, the past two years as well. France needs to step it up- lets be real.Â But I will give props to one of their women- Elektre (a young french women pornstar with Generation Identitaire sympathies), showing us what AgitProp looks like in action with her Lutheresque nailing of proudly xenophobic propaganda to the granite door of the local Cathedral-sponsored public service message.
She does it all while being cussed out by an African migrant who appears to be on a date with a native French women. Not only did this woman modify some state-sponsored public art Ã la Billboard Liberation Front, but she also succeeded in rustling an ambassador of multiculturalism and most likely ruining his date. Truly, a cock block that would make Le Pen proud, and the cherry on top of this twofer.
France loses points however, because some former porn actress mademoiselle with a pixie cut had to step up where French men were lacking.
Also, the background to the video, namely the story of a communist mayor commissioning the mural with the words, â€œFrench women for African menâ€ emblazoned on it also leaves one with a strong desire to projectile vomit all over the nearest tricolor one can get oneâ€™s hands on. Still, BUGs makes a cameo appearance. Look closely and you can make out the words, â€œanti-racism is code for anti-whiteâ€ on the mural. Nice touch. Keep up the good work, shitlords.
This leaves us with the question, what about us? Yes, us, here in the United States. What have we done this week, collectively as a nation, to establish our Alpha credentials on the world arena?
This year’s Fatherâ€™s Day message from Angel Soft comes to mind.
You know, the one with the flaming fairy in a purple cardigan telling us about how to properly break every finger in your hand when throwing a punch (thanks, mom!) and the infuriatingly obvious mulicult token minority babbling in Mexican about her wonderful single mother.
Then there was the former Olympian Gold Medal winner who squeezed himself into a white one-piece for Vanity Fair. Check out this happy merchant famous photographer, Annie Leibowitz, eagerly facilitating this assault on Western masculinity with unabashed, hand-rubbing glee.
I keep wondering when our â€œGeneration Identitaireâ€ movement will start. When will American men start organizing en masse to take back what remains of the society? I see hopeful glimmers, couched in the idea of Neomasculinity, and THE TRUMPENING, but from all indications, America is lagging behind. Europe is already experiencing the birth of a new right, and it is growing among the youth, underground and unseen until it flashes out, gloriously and unexpectedly, in the form of viral Youtube videos. It might have something to do with the million strong invasion force that has landed on their shores.
I believe it can start with us. With the red pill community.
Start somewhere. If you can, create original content that inspires and informs. Remember that we are in an information war, a propaganda war for the soul of European civilization. The good people of /pol/ and other online communities have been working tirelessly to weaponize memes (heh) and put them at your disposal. Use them. Spread the word. Do your part and start red pilling as best you can.
Take care of your anonymity as well, its the only thing keeping you safe from the next witch hunt by the SJW samizdat.
The next time you see something on your local college campus promoting cultural marxism, do something about it too. See a feminist poster advertising dating advice for men with something along the lines of, â€œMen, always remember to ask for consent, otherwise itâ€™s rape?â€ Strike a blow for true social justice and feel your testicles swell with pride as you scrawlÂ â€œAlpha Fux, Beta Buxâ€ right across it.
How about a â€œCommunism Killsâ€ in red spray paint over the next, â€œDown with the Patriarchyâ€ banner you see?
AgitProp Done The Right Way
Iâ€™ll be the first to say itâ€”start getting the message out by trolling the way to salvation. Use the enemyâ€™s tactics against them.
(Update: AI stencils coming out soon. Look for them in our store.)